Furk.net is not a file locker and doesn't support filesharing for profit. Select your country to continue on HP.com. United Kingdom United States. No other company offers as complete a technology product portfolio as HP. They provide infrastructure and. Are you watching Pirates of the Caribbean legally -- or is it a pirated version? By some estimates, a quarter of today’s internet traffic is copyright-infringed media and intellectual properties being used and. Can anyone send me a licensed E-mail with Registration key for Wondershare Video Converter Ultimate 6.5.1? Send me to my email add: Taking Steps to Fight Piracy in Online Video. Taking Steps to Fight Piracy in Online Video. Legislators and content owners are trying a variety of tactics to combat piracy, but so far the pirates are staying a step ahead. Are you watching Pirates of the Caribbean legally - - or is it a pirated version? Are you sure? By some estimates, a quarter of today’s internet traffic is copyright- infringed media and intellectual properties being used and consumed illegally. If you’re reading this site, you’re probably more likely to not only know exactly where your copy of a movie came from, but you’re also confident that it’s not a pirated version. Some consumers, on the other hand, may not realize that the movies they’re streaming or downloading are stolen goods or that the host sites where they obtained them are illegal operations. In many other cases, of course, people know full well that the way they acquired certain music or movies wasn’t legal. And then you have people who share files they’ve acquired - - both legally and illegally - - with their friends. Since file sharing doesn’t sound like a crime, and they’re not immediately apprehended or handcuffed like criminals, it doesn’t seem like a big deal. And anyway, everyone’s doing it. There are roughly 1. Bit. Torrent, the world’s premier protocol for peer- to- peer (P2. P) file sharing over the public internet. While Bit. Torrent users aren’t necessarily dealing in copyright- infringed content, this is a platform that lets them do it for free. With broadband service, people can access big movie files and even stream them online courtesy of pirate sites. One infamous rogue site was megaupload. Hong Kong- based online service that facilitated illegal file sharing and viewing of movies, TV shows, and other media. When the FBI took the site down in January 2. There are huge profits in content piracy, with pirate sites and services pocketing revenues from advertising, pay- per- view fees, and subscriptions. 2015-06-01 About: > How to Build an Overhead Camera Swing-Arm Mount for $9 - YouTube When: Sun May 31 23:44:49 2015 Where: https://www.youtube.com/watch?v=Since pirate sites don’t pay to produce the content, they can charge less for it compared to the same content distributed via rightful channels - - or they can charge nothing for it at all but generate revenue by selling ads on their sites. Lamenting they can’t compete with free content, movie studios and record labels stress that content piracy threatens profits, jobs, creativity, and brand sanctity. When asked to put a dollar value on losses from content piracy, industry experts say it’s difficult to do for many reasons. Not every illegal download or stream is a lost sale. New pirates are marauding internet waters every day, and piracy is a rampant problem impacting every aspect of today’s legitimate creative industries. All Hands on Deck to Fight Piracy. To protect their creative works in the online environment, moviemakers, musicians, and other artists are enlisting the help of powerful, legitimate, infrastructure companies such as internet service providers (ISPs); credit card processors; and search engines that can stifle piracy- enabling sites by making it difficult for them to operate and process transactions. Content owners, such as motion picture studios, are also enlisting the help of law enforcement agencies (for instance, the U. S. Department of Homeland Security Immigrations and Custom Enforcement (ICE) task force or the FBI) and taking legal action against known offenders. The Copyright Alert System is one example of a new, proactive initiative that enlists the help of ISPs to thwart content piracy. If content owners see their music, movies, TV shows, or other copyrighted works being shared without permission on P2. P networks, this system enables them to notify the appropriate ISP of the internet protocol (IP) addresses involved. In turn, the ISP notifies the individuals with that IP address to stop the illegal file sharing. If that warning goes unheeded, the ISPs can take steps that negatively impact that subscriber’s internet experience, such as reducing bandwidth or quality of service.“The Copyright Alert System pertains to peer- to- peer file sharing, such as . The MPAA has been actively involved in a variety of anti- piracy efforts on behalf of its members including Walt Disney Studios Motion Pictures; Paramount Pictures Corp.; Sony Pictures Entertainment, Inc.; Twentieth Century Fox Film Corp.; Universal City Studios, LLC; and Warner Bros. Entertainment, Inc.“While streaming media enables movie studios to make movies as accessible as possible, illegal sites that seek to profit from unauthorized distribution are hurting media professionals who work hard to innovate and produce entertainment content,” Gantman says. Court of Appeals for the Ninth Circuit issued a unanimous decision against iso. Hunt Web Technologies, Inc. A separate trial is expected to determine the amount of monetary damages that iso. Hunt must pay to the plaintiffs. Despite the injunction, iso. Hunt continues to operate through private servers in Canada and is the fourth most popular torrent site on the internet, offering 1. Piracy: A Growing Threat“Content piracy is a growing problem worldwide that has to be taken seriously. The pirates are getting smarter. They keep coming up with more technologically sophisticated ways of stealing all kinds of intellectual properties from others,” says Jeff Kagan (right) a technology industry analyst based in Marietta, Ga. And it poses a real threat to U. S. But now, there are so many new digital avenues open to them by virtue of the internet. Another reason, Kagan adds, is that “by the time the government updates rules and laws to protect content owners, the technology has already advanced beyond that point. Since the government doesn’t move fast enough to provide protections, content owners have to be smart enough to protect themselves, and that’s a challenge.”Legislative vs. Voluntary Piracy Enforcement. Many recent legislative efforts to curtail online copyright infringement have been unsuccessful largely because opponents expressed concern that copyright protection measures would put too much power in the hands of law enforcement, ISPs, and other gatekeepers to restrict access to entire internet domains even if copyright infringement only occurred on a single blog or webpage. Also, if search engines were required to delete domain names, this could result in unprecedented internet censorship. Among these recent bills is the Combating Online Infringement and Counterfeits Act (COICA) that failed to pass the U. S. It was later reissued as the Protect IP Act (PIPA), which - - along with a similar, concurrent House bill, Stop Online Piracy Act (SOPA) - - stalled on Capital Hill due to vocal opposition and protests.“SOPA and PIPA were efforts at combating infringed materials and counterfeit goods and they didn’t pass because they received a lot of . Credit card processors volunteered not to process payments for sites that sell infringed materials.“Since many perpetrators operate illegal file sharing or streaming services for profit - - including ad revenues, pay per view, and other models - - legal authorities can use these commercial transactions to figure out who they are and content owners can take legal action against them,” Castro says. Senate in February 2. The problem has become . While the exact cost of piracy is difficult to measure, the impact is substantial, with one estimate finding that the U. S. Siwek September 2. Institute for Policy Innovation. When asked how he felt the numbers might look today, Castro says, “That $2. But digital versions are easier to pirate, so . Similar to the arcade game Whac- A- Mole, some believe there will always be new pirate sites springing up no matter how many you stop.“But our position as a business is that it is possible to make a positive difference,” says Peter Lewinton, founder of KLipcorp IP Ltd., in London. So even if people reduce piracy down to zero, they will not achieve 1. Lewinton says. Strategies include focusing on entities that facilitate distribution of pirated content rather than individual consumers, putting perpetrators on notice, and taking legislative or legal action. KLipcorp also tracks digital advertising placed around pirate sites and illegal content. Ad agencies are perhaps sometimes motivated by the higher profit margins in those transactions,” Lewinton says, “Since pirates have no rights costs and very limited production and distribution costs, they can afford to sell advertising for a fraction of what a traditional media company would sell it for.”Vibrant Legal Marketplace: The Piracy Alternative. According to the RIAA (Recording Industry Association of America), music industry revenues in 2. U. S. Digital growth can be partly attributed to new legal access models, including subscription services such as Rhapsody and streaming radio services such as Pandora and Spotify.
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